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“The Guard” is Surprisingly Powerful, Dark.

When shuffling into the welcoming arms of City Theater’s production of Jessica Dickey’s “The Guard,” I wasn’t sure what to expect. From the title, it lead me to believe I was about to partake in a comedic play about art, and the touching of it. I was surrounded by familiar faces, many other reviewers looking at a simplistically exquisite set courtesy of Narelle Sissons, mirroring the imagery of what I see on a weekly basis during my travels around…

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